No. 1 (2020): The Greek tragedy, our contemporary
ESSAYS The Greek tragedy, our contemporary, by Sotera Fornaro / Tragedy for (or against) the stage. Some observations on theatrical translation, direction and ‘proto-direction’, by Federico Condello / Euripides’ Helen, the closed ports and the pilot light, by Walter Lapini / ‘A Wonderful Parable’: Peter Stein Translator and Director of Oedipus at Colonus, by Gherardo Ugolini / The Sun and Sacrifice: The Tragic in Albert Camus and Its Reflections in the 21st Century, by Valeria Turra / The body's voice on the stage. The 'creative' actor and the non-verbal language of emotions in the drama Matri-Arche by Nin Scolari, by Francesco Puccio THEATRICAL SPACES The Spaces of Syracuse’s Theatre: does the Contemporary Tragic Scene need Archaeological Research?, by Raffaella Viccei / Double Scene for Helen. The Theatre of Syracuse and the Theatre of Verona’, by Raffaella Viccei / Scenarios of the tragic in the conditions of contemporary urban space, by Pierluigi Salvadeo / CRITICAL REVIEWS Persians on the river Tagliamento: Pasolini’s The Turks in Friuli between Aeschylus and Thespis, by Andrea Cerica / PROTAGONISTS The actor's costume (Medea, Syracuse 2004), by Fabio Sartor / Menelaus in Syracuse. Conversation with Sax Nicosia, edited by Raffaella Viccei / Laura Marinoni, Helen and the lightness of tragic, edited by Raffaella Viccei / The verticality of the tragic, by Marina Spreafico
