Abstract
Aeschylus’ Persai, a tragedy of war, of winners and losers, of sea and blood, of a nature subjugated by man and by which man is subjugated, a tragedy of shadows, of compassion: The Persians performed by I Sacchi di Sabbia, Die Perser by Dimiter Gotscheff, The Persians by Bread and Puppet Theater are significant examples of the contemporary re-thinking of Greek tragedy related to the theatre of war. A crytical analysis of these performances allows to address many themes and problems we have been posed in the Editorial of the IV issue of Visioni del tragico. La tragedia greca sulla scena del XXI secolo.
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Sitografia
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