I, too, searched for that island. Introduction to Lemnos
Visioni del tragico, 5, 2024
PDF (Italiano)

Keywords

Sofocle, Filottete, Lemnos, Giorgina Pi, Bluemotion Sophocles, Philoctetes, Lemnos, Giorgina Pi, Bluemotion

How to Cite

Pi, G. (2025). I, too, searched for that island. Introduction to Lemnos. Visions of the Tragic. Greek Tragedy on the Stage of the 21st Century, 5, 65-69. https://doi.org/10.53235/2036-5624/217

Abstract

Giorgina Pi writes about the genesis of Lemnos (2022), a contemporary reimagining of the mythological
tradition surrounding Philoctetes. The project originated from the discovery of Greek islands—most notably Makronisos—used as concentration camps for political dissidents after the Second World War.
In these camps, prisoners were subjected to a form of “re-education” that involved the coerced
veneration of classical antiquity, including the construction of replicas of monuments such as the Parthenon. Lemnos weaves together the myth of Philoctetes with the largely forgotten history of these
islands, employing an original dramaturgy (by Massimo Fusillo) that blends Sophocles with
contemporary poetry by Adrienne Rich, Derek Walcott, and Greek poets such as Yannis Ritsos. Pi reimagines Philoctetes as a female figure, using the image of the wounded body as a metaphor for
dissidence. In this essay, the director outlines the various theoretical and practical perspectives through
which she chose to approach the myth.

https://doi.org/10.53235/2036-5624/217
PDF (Italiano)

References

Hamilakis Y. 2002, The Other “Parthenon”: Antiquity and National Memory at Makronisos,

«Journal of Modern Greek Studies» XX 2, pp. 307-332.

Hamilakis Y. 2007, The Nation and Its Ruins: Antiquity, Archaeology, and National Imagination

in Greece, Oxford.

Van Steen G. 2011, Theatre of the Condemned: Classical Tragedy on Greek Prison Islands,

Oxford.

Van Steen G. 2015, Stage of Emergency: Theater and Public Performance under the Greek

Military Dictatorship of 1967-1974, Oxford.

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