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Abstract
This essay introduces La seconda generazione (Neottolemo), a groundbreaking theatrical
work directed in 1988 by Mario Martone, composed by Guido Paduano and Massimo Fusillo. The play employs techniques of montage and citation, eschewing a traditional dramatic
script in favor of a mosaic of quotations from ancient and modern sources, all centered on the
figure of Neoptolemus, son of Achilles. Martone stages a complex textual collage that marks a
turning point in his artistic journey – from postmodern multimedia experimentation to a renewed
engagement with classical dramaturgy through Greek tragedy. Following his earlier adaptations of Sophocles’ and Ritsos’ Philoctetes, this final work in his Trojan War trilogy portrays Neoptolemus as a metaphor for a “post-heroic” generation: sons paralyzed by guilt, incapable of
decisive action, and alienated from the heroic ideals of their fathers.
References
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R. De Gaetano, B. Roberti (a cura di), Mario Martone. La scena e lo schermo, Roma, pp. 23-38.
Kristeva J. 1974, La semiologia scienza critica e/o critica della scienza, in U. Silva (a cura
di), Scrittura e rivoluzione, Milano.
Martone M. 2004, Chiaroscuri. Scritti tra cinema e letteratura, Milano.
Orsini A. 2005, Città e conflitto. Mario Martone regista della tragedia greca, Roma.
Ritsos G. 1969, Addio, Filottete, in F. M. Pontani (a cura di), L’altra Grecia, Firenze,
pp. 41-58.
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